Out West

when Mrs. Graham came out to California
bearing the maiden name I never knew
she looked out of the train window
into the flat stretches of Nebraska
and saw a man on a horse with a hat
“There‘s The Cowboy” she said to herself
and to me, years later,
“I was thrilled.”

© Kathleen Dunbar

Photos by Kathleen Dunbar

 

Coming Into Town

A Benton Store - Version 6 Here I am, working on my Western novel, and we find The Rifleman as he rides into a town as a young man

I arrived in Dillardtown on a fine evening
having crossed a stony river
lined by cottonwoods
and provided with a sturdy bridge.
I came into the town downstream of a recent flood
for the main street gave evidence of the uppity nature
of the river which had left its banks and poured through the town
leaving great runnels and gouges drying into what should have been a thoroughfare
and instead was a mess.
Horses and wagons clunked and sucked through the street
men swore
one had lost his boot to the powers of the mud
and further on was his stocking.
The collection of financial establishments
was compressed into five blocks on either side of the mud.
Money changed hands between them at a furious pace.
Countless rough men struggled back and forth through the riverbottom
so that the mud covered every flooring in the town.
Here were assayer’s office, bank, saloons aplenty,
whorehouses fancy and plain, hotel, restaurants and chophouses;
there was the smell of mud, horses, food, shit, laundry steam,
piss, perfume if you paid for the parlor ladies,
and if a fellow saved enough after that grand round
he’d have himself shaved, might dip into a tin bath,
resupply at the drygoods and grocers his pans and shovels and vittles and ammunition,
pick up his horse or mule from the livery
and go stick it once again into the earth
who heaved her rocks and stones and broke his back if he was unlucky
or let him into her inner gleamings which he stole with both hands as fast as he could
and came to talk about it loudly in the town.

© Kathleen Dunbar

Here’s a poem set to music, another western-with-a-twist, on my CD The Storm in Our Head. It’s called “Snake Charmer.” Find it on Bandcamp or on my website, www.kathleendunbarmusic.com

Photo by Kathleen Dunbar

What Kind of Person Would Beat You With A Bible?

A-Red Cow 2 of 2 Red Bible Story

Yes, I am writing a Western, in my own fashion. Here is a glimpse into some of the beginnings of our hero, Nate.

What kind of person would beat you with a bible? Nate never really understood, he just somehow lived through the wretched and frequent ordeal.

The bible was one with a red cover that had started out as the hide of a cow that lived the life a cow lives, born of a mother like all creatures, growing in the dark from the egg of a black Corriente of venerable stock and the seed of a skinny but tough bull who mounted her the morning a storm was coming. The storm would bring a tornado with it and the bull would die caught up in a twist of wind that did not yield to his horns and hooves and scrubrange attitude. But the sky was yet blue while he eyed the cow in a clearing that afforded him a bit of running room for his approach. She had been chewing her cud in the shade of a rock that was weathered into the shape of a giant tit. Both felt the shift in the weather as an unease in the tough muscles beneath their hides, but this only served to hasten the bull’s purpose, as if he knew he had only one last chance to set more of his progeny to roaming upon the desert hardpan. The pre-storm morning was unusually still and clear, the charged air acting like a glass of magnifying power so that the distant range loomed large and close, the striations of the rock heaved up in ancient frozen waves as he met the cow with the spurting force of creation an hour before his demise. Above the trysting site a cactus bulged with thorn. A small hummingbird sat distinct on its bent and thorny arm and sent a fussy high pitched tip-tip in the direction of the amorous pair.

The bull and the cow were wild, that is untouched by men, and living out a plain life in a dry stretch of country not unlike that of their forebears on another continent who were plenty used by men, long ago gone for Spanish dinners and leatherwork. This cow and bull had been part of old Spanish-Mex stock whose hardscrabble owner had fallen on bad times: a lack of heirs and a wife who had gone off with a passing stranger. The stranger arrived asking for a drink of water in a coat of fancy stitching with two shining conchos to clasp it shut. He had handsome legs, a large mustache, and a big red horse with room on its back for a second rider. Both he and the horse were flashy enough to promise a bit of excitement and both sturdy enough to bear away the plump and bored wife. She left her husband late that night. He felt her move in the bed and reached out to pat her rump which she deftly moved away from his hand. Her last words to him were that she had to use the privy, and farted on him as she slid from the covers as if to prove it. The next day he was alone in the house fingering the brim of the hat he had worn since they’d been married. The spell that had held him to that place was broken. He was gone by afternoon, riding away in a different direction from the tracks of his wife and her new lover, and his puny herd were left to a freedom which perhaps they didn’t perceive in their beeve-brains. They bred and ate and roamed wild along the years till the parents of the bible-destined cow met on the morning of the tornado. The two creatures had paired and parted, and the impregnated cow stood in the lee of the tit-rock and watched across the range as the bull spun into a gray funnel of wind and was gone.

The calf came in the spring, and when grown was rounded up with her mother by a man whose brand was a sideways S and a bar with a hatch. He favored a Mexican saddle with a high cantle because his lower back was apt to hurt—the cantle offered some ease to an injury he’d sustained in a bar brawl landing backwards hard against the knee of a whore who later that night gave him balm for his trouble in the form of cheap whiskey and a free screw.

The man felt fortunate to increase his herd with some wild stock. Later he seared his brand into the flesh of the young calf, who screamed her bovine misery, stood, and scrambled back to her mother. At the end of the season, along with the rest of the herd she had joined, she was shipped on a rattling train bound for Chicago. There she became dinner for a loud young newspaperman and his fiancée at a stylish restaurant. Her hide, which lasted much longer than her flesh, was sold to a bookbinder. He dyed the leather red and fashioned it into the cover of a bible which he placed temptingly in his shop window. There it caught the eye of one Adabelle Cornelia Pettypool.

Adabelle had read a bible her whole life, and the meanings she made out of it and out of life took the shine off her natural prettiness, and invested her with a flat low grade fury. What she never fully allowed herself to comprehend was that the fury she felt was towards her own father. Lonely for his wife who had died of a sudden heart complaint, he turned to his daughter to supply his need. There was a way her mind had split so that she could know that thing and not know it in the same moment, and it left her looking for evil in everyone but him, whom she idealized. To make matters more confusing for her, her father was a minister, mixed up thoroughly in a Methodist sect bound to rescue people out of a darkness that meanwhile he created at his whim in his own home.

Whatever illusions Adabelle may have had about comforting her father, as he put it, ended when she found herself pregnant. Desperate, she rid herself of the child with the help of a doctor she’d met accompanying her father on his ministrations to the local brothel. There were complications, and poor Ada nearly died. Her father gave out that she’d had a bad case of the grippe, but the working ladies at Alviva’s Parlor House dropped a few words to some patrons they had in common with the minister, though their ministrations were of a different order. Word spread and the parishioners soon knew the truth and stopped coming to Sunday service. Her father told Adabelle to pack their belongings.

On the day of their departure she rose early and opened her father’s collection box as it stood among suitcases and bundles on a table with the remains of their last Chicago breakfast. She looked him in the eye and said, “I am doing this one thing for myself.” He looked out the window and began to hum loudly Elvina Hall’s popular new hymn, Jesus Paid It All. Adabelle took only the money she needed and left briskly for the bookseller with the red bible in his window display. It was a thing she’d been yearning after for weeks, and which she had fixed upon during her terrible illness. Her reasons for buying it were not clear to her, except that it was something of her own, which she could hold in her hand and that was not tainted with her family. At the time that seemed enough. The red bible was one of Adabelle’s choice possessions, and she kept it close to her own person on the long journey south, until it landed with all the power her arm could give upon a small boy’s body.

Her father’s public excuse for their move, which he shared with any person who would listen to him on trains, stages, and in cheap hotel restaurants, was that he had been called in a vision to save Whites, Mexicans, Indians, cowboys, gunslingers, fallen women and other numerous recreants in the wild cattle town of Abilene, Kansas. With a knowing look he’d lean in towards his audience at this point, saying in a deep voice that the word “Abilene” had appeared to him in a dream upon a burning map. In his private moments he was relieved to have gotten out of Chicago before things turned ugly. He happened to see the name of the Kansas cowtown in a newspaper close on the heels of some threats from a burly former-parishioner who’d just come around the corner from Alviva’s Parlor House. He prayed that he might ride the current tide of do-gooding into heaven. Whether he arrived at that final destination or was held to account for what he’d done to his daughter and shown the door to the lower quarters, no one could say for sure. His preaching frenzy did not bring in many sheep. He was not a popular man in a town given to excess of every sort and soon took a perhaps-not-so-stray bullet from a bar fight that had spilled over onto the street. He lived long enough to look down with wonder as the stuff of his life leaked out of him, reddening his hands. He was dead before the doctor and his daughter arrived along with curious onlookers. Among the crowd was Nate’s father, in Abilene from his ranch in Texas on a cattle drive. He cast his eye upon Adabelle, perhaps in much the same way the bull had spotted the cow, wanting to set more of his progeny walking on the Texas range. Ada appeared likely. Nate’s father seemed to collect pretty women in need of help, scooping them up and depositing them in his big ranch home, then disappearing for months at a time on business. His first three wives had died and he missed them all in a distant and romantic sort of way. And so he met and rescued Adabelle from the debris of the minister’s life and made her his fourth wife with the blessing of a Baptist preacher in a church that stood handily on the way out of town.

Nate’s father was charming; an older man but fit and active and his ranch business provided a good income. Adabelle was hopeful for the first time in her life. His sons by his first and second wives were grown and gone, and Nate, the child of his third, and Indian wife, was young; in need, he said, of more brothers and sisters. Nate’s father, in his bull way, wanted a big family like the one he’d grown up in and Adabelle aimed to make a family different than her own. But it turned out that the sad fiasco with her father had injured her, and she could not bear a child. This sapped the juices from her prettiness and left her dry and brittle of temperament, turning to the red bible more than ever. Nate’s father was at home less and less, and Nate and the ranch hands came to know Adabelle as the dour and vindictive woman who had no Christian spirit—at least nothing in the last part of the red book she bought in Chicago had Christ laying into a small child for simply having the brown face of his mother and his tribe (Christ probably being pretty brown himself), although the first part of the story had the old desert god laying into plenty of people with apparent satisfaction. And so it was that Nate’s stepmother felt a deep release in beating the boy, leaving welts on his back and a scar on his cheek where the small diamond of the ring her faraway husband gave her cut the boy in the fury she unleashed because she could have no child of her own and must raise this one, product of her husband and his dead tribal woman. Where she might have found a larger life, she could not see it because no kind soul had ever shown her how to have a bigger perspective. She dried up in the smallest of possible worlds—inside a broken, shrunk, unloved and unloving heart. Being of an active nature, she was given to expressing the terrible electric current of her feelings, rather than wasting quietly away. The bible—the object itself, not the philosophy therein—was her weapon against more grief than she could inwardly bear: she took to beating Nate.

And so the cow, dead and taken into parts, had become the unwitting cover that bound together the words of a deity Nate never got to have a feeling for. Adabelle’s blows rained down hard upon his small boy’s body, unrelenting, and with a venom increasing as did her stepson’s unwillingness to bend to her or to her religion. Such was Nate’s life when his father was away from home, which was most of the time. Bruised and lonely, he thought longingly of his own brown-faced mother who had died while he was a babe. And his feelings towards the red bible were, “What a waste of a good cow.”
© Kathleen Dunbar

Here’s a poem set to music, another western-with-a-twist, on my new CD The Storm in Our Head. It’s called “Snake Charmer.” Find it on Bandcamp or on my website, www.kathleendunbarmusic.com

Photos by Kathleen Dunbar

A-Red Cow 1 of 2 Red Bible Story

A Sad Tale from the Old West, from a Woman’s Perspective

A-Red BirdRed Bird
Lyrics from my new cd The Storm in Our Head
Dan Feiszli on his luscious standup bass made in 1932 in Cleveland, Ohio
Gawain Mathews playing superbly haunting acoustic and electric guitars
Me singing, channeling the Red Bird

I come down from old cold mountain
I was a child without no home
there are wings on birds in the mountain
there are wings on birds who have flown
I had no ma or pa to love me
I had no one to ease my way
I had my body ripe as a pear
when I needed money my body would pay

Chorus
when the rain is through I’ll be gone
when the rain is through I’ll be free
sage smells sweet and the moon is bright
I see and I hear spirits in the night
they come to claim me

many the men who pass through this town
askin for Red Bird by that I am known
I wear a red dress not for my pleasure
I wear a red dress it’s all that I own
here come the riders so dusty and wild
the range and the bottle is all they call home
to pay for the women’s sweet flesh till the mornin
they ride through the rain and the lightnin storm

Chorus

I don’t give my laugh or my whiskey for free
till I met a cowboy beside me he lay
eyes like the sky and hair gold as sun
he told me my love I’ll take you away
he sat playin cards by an evil-eyed stranger
who shot my love I can still hear the sound
the stranger’s horse I’ve stolen, I’m ridin
when I hang by his hand will you cut me down

Chorus

and I fly and I fly and I fly and I fly
I fly and I fly and I fly
and I fly and I fly and I fly through the night
I fly and I fly and I fly
and I fly and I fly and I fly through the night
I fly and I fly and I fly
and I fly and I fly and I fly through the night
I fly and I fly and I fly

© Kathleen Dunbar

Photos by Kathleen Dunbar

Hear the song by clicking Red Bird on Bandcamp or visit my website www.kathleendunbarmusic.com 

A-Red Bird

The First Time I Saw “The Good, The Bad and The Ugly”

A-Cowgirl in Red  I remember the first time I saw The Good, The Bad and The Ugly. My mom had gone down to FLA for my grandfather’s funeral. Me and Dad were left to duel it out in the house (I was a teenager and my Dad a general foreman at a factory that made truck axles. His refrain, “How come I can boss around 300 men and not you two women!”) Dad had sometime stints of wandering around in his underwear, an off-white ensemble of not-so-tightie-whities and what he called an “undershirt” and that I later learned people are wont to call “wifebeaters”—skinny straps and kind of ribbed cloth. So with this outfit of course he cranked the heat up to keep him warm with Ohio snows outside.

But mom was gone and he was alone with his teenager daughter—time to let her know who was Boss. He turned the thermostat down, put on a lot of layers and gave me a tough-guy stare to let me know, “This town is only big enough for one of us.” I should say that he used to practice making scary faces in the bathroom mirror to intimidate the men under him at the factory, but I’d one time caught him practicing. I was about six, and peered through the partly open door to find him standing puff-chested, trying out different glowers and frowns in the mirror to polish them up. As he would make a face I’d mirror him, screwing up my fresh young brow into a scowl until he caught me: He scowled, I scowled. “Little girls don’t do that. Stop it.” To which I replied with the child’s perennially sageful question, “Why?” “Because I said so”—that four-word recipe for your kid to start losing respect in you.

After many years of “Because I said so’s” Mom was in Florida and with the furnace on low pretty soon the winter ice tried to push in through the windows and sit down on the couch. This was crazy! Of course I cranked the heat back up. He stomped into the hallway and turned it down. I long-leggedly drifted by and notched it up. He announced that he was the Father and cranked it down. I announced that I was the Daughter and was freezing. Up and down it went. And of course he hollered and of course I dug in. And the whole fight mighta gone south (that’s a story for another day) except for the family truce device:

A movie was coming on, a Western for chrisakes, that we’d found in the TV Guide. There was only one color TV in the house, thus enforced proximity. Now, watching a Western was the only time that my family actually sat down together and had a good time, be it movie or weekly series, often accompanied by a tin roof sundae with walnuts or Spanish redskin peanuts, and I got to stay up late to see the end if it ran long. I’m not really sure why this was, but it, well, was—any together-time-port in a storm kind of thing. Tonight, however, instead of the usual John Wayne hard jaw, thank you m’am, you’re either on one side or t’other, for ‘em or agin ‘em, an entirely different kind of movie came on in the back bedroom where teenage Kathleen and her Pop had truced it up with a Western and a sundae, a movie that changed my life:

A blonde stranger in a black hat chewed a little cigar, took aim and shot clean through the hangin’ noose rope setting free a hardened little rat of a man (Tuco means rat) whom you could not help but like. The stranger kept the reward he’d collected for this Wanted Man all for himself—he didn’t split it with Tuco per their usual scam, but he didn’t let Tuco hang either. He made him walk through the desert and Tuco eventually evens things up and the pale stranger must make his own sunburned walk….But Tuco turns out to be more honest than his pious cowardly priest brother, and Blondie is strangely and refreshingly (for a Western in that era) three-dimensional, which means a stiff drink of plenty of badassness and a generous helping of self serving along with the occasional good impulse. The Bad Guy by his through-and-through evil is a foil for The Good and The Ugly’s complexity. I was captured for life.

But, I was in Ohio with a sometimes only-underwear-wearing WWII veteran dad who told me he was King (he actually said this). Oh take me to that great western desert……

Leone’s story unfolds, of course, in the wonderfully hellish heats of a Landscape without which this movie would not happen. Now in certain kinds of stories, the land itself is a character in the story. In the Western this is often the case. The Good, The Bad and The Ugly was shot in Italy, yeah, but the archetype of the land speaks beyond the borders of countries. The landscape of the Western is heroic—and by heroic I mean that beautiful, deadly, otherworldly territory through which Everyman must pass on a Quest, in this case the Desert:
the sky so wide it can hold two storms at once
blue sky between them because it can
and endless stretches of
no rain, no water, only sand
dead bone dry
no whiskey left dry
aching heart dry
greedy white man dry
and poured into this extreme landscape the age-old collection of forces that each and every one of us has inside, no exception, doesn’t matter if they dress like a Cowboy, a Native, or a New Yorker. In all compelling stories we meet ourselves, all of ourselves, whether we like it or not: Hero, Maiden, Whore, Fool, Seeker, Prophet, Greedy Bastard, Wise Man, Healer, Bad Guy. For the story to be interesting and worth something the characters are complex and mixed in is a dose of humor and a good musical score. That teenager that I was didn’t know that many years later I’d walk down a nighttime San Francisco street singing out loud “Oo-ee-oo-ee-ooo…” and immediately get the iconic response to the call from a darkened doorway, “…Wah-waah-wah.” Nor did I know that I’d sit in the Castro Theater for the long-awaited rescreening of the movie complete with never-before-seen Italian version scenes, the house sold out by hardcore fans!

My dad died pretty young, 64 (which seems younger the older I get) when I was in Wales on my junior year abroad. We’d been fighting long distance but for some odd reason I called home, he answered and neither of us worried for once about the long-distance bill (which would be hefty) and we had an incredibly and unusually good connecting conversation a couple weeks before he died: After mowing the lawn he sat down on the back porch and his heart gave out.

I can say in truth that my dad was a real bastard. He actually told me he’d rather have a different daughter, and I’ve spent a ton of money in my life on therapy; and I’ve had the kind of pain one has in choosing not the greatest boyfriends cuz I had an oddball template from my old man. He told me women shouldn’t vote or wear pants! He meant it! However, I went on to do both things in my own Heroine’s Quest which I set out upon from the hardscrabble territory of Dad- and Mom-land. My Dad, a compli-fuckin-cated guy coming from that kind of gray area which makes life so damnably, uncomfortably, tormentingly…interesting! (At least if you can make it through the desert, which I did, though not without second thoughts—also a story for another day).

I went on to find my own unique strength and learned to do things my own way—that is a short way of saying how I made sense of a lot of craziness growing up. What I’ll leave you with is a tale of the old West that I’ve written from my own woman’s-view of the Western: a song I call Red Bird on my new CD, The Storm in Our Head (hear it for free in the link you’ll find at the end of this paragraph). Here’s a big nod to Sergio Leone, Clint, Eli and the gang for doing their thing differently than the previous gang, and for showing up in a refreshingly compelling story in a snowbound Ohio house where me and my Dad forged some kind of bond—not the kind where a father gives his daughter confidence in herself, and so small as to highlight the grief that there wasn’t more, but a little something human, complicated, heartbreaking. To be continued… © Kathleen Dunbar 2013

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Photos by Kathleen Dunbar

Easiest way to listen quick to Red Bird is via Bandcamp
Via My Webpage (it’s track 15, towards the bottom) 
Via Itunes (it’s track 15, towards the bottom)
Via CDBaby (it’s track 15, towards the bottom)

A-White Mnts via Dutch Pete's Ranch